UPDATE! Laura Anne Gilman: THE PORTALS DUOLOGY

UPDATE!

I have just updated a previous post for Laura Anne Gilman with a review of Soul of Fire, the second and FINAL novel in her PORTALS DUOLOGY.

Click on the pink-link series title above to go directly to the updated review.

UPDATE! Alma Katsu's THE TAKER TRILOGY

UPDATE!

I have just updated a previous post for Alma Katsu with a review of The Descent, the third and FINAL novel in her series, THE TAKER TRILOGY.

Click on the pink-link series title above to go directly to the updated review.

UPDATE! Diana Rowland's KARA GILLIAN SERIES

UPDATE!

I have just updated a previous post for Diana Rowland with a review of Fury of the Demon, the sixth novel in her KARA GILLIAN SERIES.

Click on the pink-link series title above to go directly to the updated review.

UPDATE! "Hollow City": Ransom Riggs' Sequel to "Miss Peregrine's Home for Peculiar Children"

Author:  Ransom Riggs
Title:  Hollow City
Series: PECULIAR CHILDREN 
Plot Type:  Fantasy with a touch of horror
Ratings:  Violence—4; Sensuality—2; Humor—3
Publisher:  Quirk Books (1/2014) (available in hardback, CD, MP3, and e-book formats)

PUBLISHER'S BLURB:

     September 3, 1940. Ten peculiar children flee an army of deadly monsters. And only one person can help them—but she’s trapped in the body of a bird. The extraordinary journey that began in Miss Peregrine’s Home for Peculiar Children continues as Jacob Portman and his newfound friends journey to London, the peculiar capital of the world. 

     There, they hope to find a cure for their beloved headmistress, Miss Peregrine. But in this war-torn city, hideous surprises lurk around every corner. And before Jacob can deliver the peculiar children to safety, he must make an important decision about his love for Emma Bloom. Like its predecessor, this second novel in the PECULIAR CHILDREN series blends thrilling fantasy with vintage photography to create a one-of-a-kind reading experience.

MY REVIEW:
     Click HERE to read my overview of the world-building and my review of the first book, Miss Peregrine's Home for Peculiar Children. Click HERE to go to the Peculiar Children Wiki, which contains in-depth information about the setting and the characters. I don't recommend reading Hollow City as a stand-alone because it doesn't contain very much basic information about the series mythology. Also, you need to read the first book in order to understand how and why the peculiar children appear—in the opening scene—in two rowboats off the coast of Wales in the midst of World War II.

     As Hollow City opens, the year is 1941 and ten peculiar children have escaped from the destruction of their long-time home on Cairnholm Island. They are rowing as fast as they can towards mainland Wales, pursued by a submarine full of wights and hollowgasts (aka hollows). Also along for the ride is Alma LeFay Peregrine, who is stuck in her bird form. Miss Peregrine is an ymbryne—a shape-shifting manipulator of time and headmistress of Cairnholm's magical time loop. 

Here is a list of the children and their peculiar abilities:

> Jacob Portman: the hero and narrator; he can see and sense hollows

> Emma Bloom: Jacob's girlfriend; she can make fire with her hands

> Bronwyn Bruntley: a large girl who is extremely strong

> Millard Nullings: an invisible boy who is a scholar of all things peculiar

> Olive Abroholos Elephanta: a girl who can float in the air

> Horace Somnusson: a boy who has visions and dreams of the past and the future

> Enoch O'Connor: a pessimistic boy who can temporarily animate the dead

> Hugh Apiston: a boy who commands and protects great numbers of bees that live in his stomach

> Claire Densmore: the youngest girl; she has an extra mouth in the back of her head

> Fiona Frauenfeld: a mute girl who can make plants grow

     The book is divided into two parts. Part 1 follows the children as they complete their ocean journey, discover and enter a time loop populated by talking animals, and get help from a group of gypsies. Part 2 takes place in London (which is in the midst of Hitler's bombing Blitz), as the children search for Miss Wren, an ymbryne who (they hope) will help Miss Peregrine regain her human form. Throughout their journey, the children are constantly pursued by wights and hollows. Book 1 contains an extensive mythology for the wights and hollows, so I won't go into much detail here. For the purposes of this review, I'll just say that they are the villains and that they plan to capture the children and the ymbrynes for unspeakable purposes.

     As the children make their way to London, their peculiar skills come in handy several times. Jacob can always sense the presence of hollows, so he always gives the group plenty of warning. Emma saves them several times with her fiery talent, and Hugh twice comes to the rescue with his bees. Millard is also helpful because he is very familiar with an ancient book entitled Tales of the Peculiar, which contains stories that are relevant to their search for Miss Wren. Bronwyn's strength frequently comes in handy because she transports their heavy trunk on her back and she carries Claire, who tires quite easily. As for Claire and Fiona, their talents are never used in this book. The same goes for Enoch, who uses his necromancy skills only once, with unfortunate results fro the group. This treatment of the latter three characters is a definite weakness: Riggs makes Claire a burdensome child, Fiona a non-character, and Enoch a bullying complainer.

     The reason for this misuse of characters, I believe, is that in this book Riggs' story-telling is led by the weird photographs, whereas the plot of the first book is enhanced by the photos. Rather than supporting the narrative, many photographs (and their accompanying mini-story lines) actually detract from the main plot. This is particularly true of the bizarre animal photographs in chapters 3 and 4, where Riggs appears to have manipulated the story line solely for the purpose of including some particularly weird animal photographs. In chapter 8, Riggs includes a number of vintage photographs purportedly showing scenes of the London Blitz. These particular images are mentioned very briefly in passing, but have nothing to do with the story line. Even the photograph on the book's cover has only a tenuous connection to the plot. The hole-in-the-stomach girl is in just one scene before she and her sister turn their backs on the peculiar group. This awkward and manipulative use of photographs is one reason why Hollow City doesn't have either the coherence or the strange magical resonance of the first book.

     Another problem is that the peculiar children have suddenly turned into superheroes who go for three days and nights with hardly any sleep and with very little food, yet are able to out-fight and out-think their enemies with no serious injuries and without losing any members from their original group. In the first book, the peculiars suffered at the hands of the wights and hallows, but in this book the children are almost Scooby-Doo-ish as they lurch from one dangerous situation to the next, always winning the day in some unexpected and frequently outlandish manner. Each confrontation with their enemies plays out like a Roadrunner vs. Wile E. Coyote parody. After awhile, you come to realize that, like the Roadrunner, the children will easily beat their enemies into complete submission—time after time.

     Even though the first book is the stronger of the two, Hollow City is still an above-average read. Riggs is an eloquent writer with the ability to fully develop his characters (particularly Jacob) through their actions, dialogue, and relationships. Jacob is a terrific narrator, internally facing down his doubts and fears while maintaining a calm facade as he plunges ahead into this dark, often hopeless, world to which he has pledged his loyalty and support. Although he dreams of his real home and family, he also has strong emotional ties to his peculiar family—particularly to Emma. Here, Jacob sums up the situation as the children search for Miss Wren in London: "So it had come to this: everything depended on a pigeon. Whether we would end the night in the womblike safety of an ymbryne's care or half chewed in the churning black of a hollow's guts; whether Miss Peregrine would be saved or we'd wander lost through this hellscape until her clock ran out; whether I would live to see my home or my parents again—it all depended on one scrawny, peculiar penguin." 

     One of the most clever plot elements is the choice of location for the London time loop. I won't go into detail, except to point out that the children are searching for Miss Wren, and that there was a certain man with the same surname who had a major influence on London architecture. 

     The plot twist at the end is completely unexpected, and it adds a cliff-hanger ending to this second episode in the series. If you're looking for a stand-alone, this isn't the book for you. You need to read the first book for background on the world-building, and you'll need to read the third book for closure. (As I understand it, Riggs plans for this series to be a trilogy.)

UPDATE! "Bitten": The TV Show vs. the Book

2001 Original Cover

    After viewing the first five episodes of the SyFy Channel's new show, Bitten, I decided to go back and reread the 2001 novel, just to check my memory of events and characters and to see exactly what changes were made in converting the book into a screenplay. I'm really glad to have done this reread, because it reinforced my belief that Kelley Armstrong is one of the top paranormal writers currently on the market today. In Bitten, she demonstrates her imaginative talent by presenting the reader with an intriguing plot, compelling action, spine-tingling suspense, and complex characters. My reread also served as proof to myself that my memories of the characters and plot elements were, for the most part, on the mark.   

2004 Reprint Cover

     For the most part, the seres is following the plot of the novel very closely, with the exception of a few changes in the sequence of events. One major difference is the large part that Philip (Elena's human boyfriend) plays in the TV show. In the novel, Philip is rarely seen at all. During most of the novel, Elena spends her time at Stonehaven. She is in Toronto briefly at the beginning and near the end, but even then, Philip is a minor presence, and his family members show up only in one early scene. Also, the book has no love scenes between Elena and Philip, but LOTS of sexy scenes between Elena and Clay—a huge difference from the TV show, which actually opens episode 1 with a Philip/Elena bedroom scene and which has no love scenes (so far) between Elena and Clay.   

     The preview for episode 6 (to be aired 2/17/14) has Elena returning to Toronto for Philip's sister's wedding. In the book, that doesn't happen. The preview also shows that Daniel Santos crashes the wedding to offer Elena a deal. That doesn't happen in the book either. 

Reprint Cover
with SyFy Logo

     Other than the Philip/Toronto discrepancy, the biggest difference between the show and the book is in the portrayal of Elena herself. In the novel, Elena is described as being "tall and rangy." She describes herself as being "difficult, temperamental, argumentative." Later, she describes her usual self as "snappish" and "willful." Since high school, she has lifted weights and worked out daily. In one scene, as Elena dresses up to lure one of the newly turned mutts to her she explains that she "needed to pull on the mask that worked best with werewolves: Elena the sexual predator. This didn't mean miniskirts, fishnets, and see-through blouses, namely because I didn't own any. And I didn't own any because they looked ridiculous on me. Skimpy tops, stiletto heels, and barely there bottoms made me look like a coltish fourteen-year-old playing dress up. Nature didn't bless me with curves and my lifestyle didn't let me develop extra padding. I was too tall, too thin, and too athletic to be any guy's idea of centerfold fodder." In that same scene, she describes the unfamiliar process of putting on make-up: "I…went back to my makeup, studying a jar of pink stuff and trying to remember whether it was for my lips or my cheeks."

TV Cast Photo

      TV Elena is so far removed from Novel Elena that her character ruins the show for me. TV Elena is a demure, petite, curvy fashionista with a soft, flirty personalty. Instead of being argumentative and willful, she comes off as a pouty and petulant sex kitten. Her nails are always manicured; her makeup is runway-model perfect; and she wears low-cut tops, skintight pants, and stiletto-heeled boots. Even worse, she simpers and casts coy, hooded glances when she wants to make a point. Novel Elena would never act that way. She always said exactly what was on her mind—clearly and brusquely—and let the chips fall where they may. When I read the OTHERWORLDS books, I always pictured Elena exactly as she was described—a tall, attractive, athletic, kick-ass heroine—a woman like Kate Beckett in Castle, Olivia Benson in Law & Order: SVU, Molly Parker in Killer Women, or even Ava Crowder in Justified or Daenerys Targaryen in Game of Thrones. TV Elena is so badly cast and so poorly played that I'm not sure that I'll keep watching the show. Elena is the heart of the OTHERWORLDS novels (especially the early ones). Unfortunately, TV Elena is, at best, an artificial heart—and that heart is not beating with the right rhythm to carry the show.

     The character of TV Clay is also problematic. He looks wolfy enough for the part (although Novel Clay is blond), but he doesn't have the smoldering just-below-the-surface rage that drives Novel Clay in every aspect of his life. In the book, Elena describes Clay like this: "For Clay, instinct ruled. He'd learned tricks he could employ if he had advance notice…But without such warning his temper took over and he'd explode, sometimes endangering the pack. No matter how smart he was—his IQ was once measured at 160—he couldn't control his instincts." TV Clay comes across belligerent and moody, but he doesn't radiate rage like Novel Clay. For Novel Clay, that always-simmering inner rage is the key element of his personality—the thing that drives him to make a life-long series of wrong decisions that have had (and continue to have) disastrous consequences for himself and for his werewolf family. 

     Also missing from the show is the constant physical contact among the Stonehaven pack members. In the novel, they touch each other constantly as a means of showing familial affection. 

     One last difference of some importance is that the TV show doesn't provide enough exposition. We don't learn much about Clay's feral childhood in the Louisiana swamps—which shaped him into the troubled misfit that he is today.  "He'd been living in the swamps and tenements, eking out an existence killing rats and dogs and children.  At such an early age his Changes were uncontrollable and he vacillated continually between forms, reason having almost given way to madness….Jeremy had brought the boy home and tried to civilize him…" We also don't learn many details of Elena's troubled childhood in a series of foster homes and the abuse that she suffered—which made her into the assertive and aggressive person she is now. "By the age of seven Clay was a full werewolf with an inherent capacity for violence and a temper to match. By the same age my foster families had taught me how to hate, developing my own capacity for violence, though I'd been better at hiding it..." We don't learn anything at all about Jeremy, the pack leader who holds the group together. As far as I can recall, the TV show doesn't mention that he is a renowned artist. (I might be wrong on that, but if it was mentioned, it was just in passing.) Elena describes Jeremy as having "more talents than any person I knew….He could speak and translate in over a dozen languages, he could splint a broken bone so it healed as good as new, he could paint scenes I couldn't even imagine, and he could stop a two-hundred-pound charging wolf with a look."

     Here are a few more differences between the book and the show. Some of the changes have obviously been made to provide more racial and gender diversity within the cast of characters. I understand that writers of screenplays frequently make changes in print plots, and the ones that follow are relatively inconsequential, but worth noting nevertheless.

In the book…

   > Pete is killed in the town of Bear Valley when he, Jeremy, and Antonio are attacked by the mutts. Pete is the second of the good guys to die.

   > Logan is described as a "fair-haired bearded man" who lives in Albany. He is never seen in person in the book—only heard from in a phone call to Elena.

   > The sheriff is a man.

   > The sheriff finds only one body on Stonehaven property—the first woman to be murdered. The werewolves later find the body of a young boy, but Elena disposes of it without notifying the authorities. 

   > Although the citizens of Bear Valley distrust the Stonehaven inhabitants, there isn't much open hostility against them.

In the TV show...

   > Pete's body is left at Stonehaven's front gate. He is the first of the good guys to die.

   > Logan is a black man (for diversity's sake, I presume) who lives in Toronto.

   > The sheriff is a woman (for diversity).

   > The sheriff finds several bodies on Stonehaven property, including the first woman to be murdered, a young boy, and a man from Bear Valley.

   > The folks of Bear Valley distrust, dislike, and fear the Stonehaven inhabitants, and there are several scenes of hostility and fighting between the two groups.

     Click HERE for a reading-order list of titles in Armstrong's OTHERWORLD series, a brief overview of the world-buildig, and my reviews of the final two books in the series. Click HERE to read my original post about the TV show, Bitten.

UPDATE! Devon Monk's AGE OF STEAM SERIES

UPDATE!

I have just updated a previous post for Devon Monk with a review of Cold Copper, the third novel in her AGE OF STEAM SERIES.  

Click on the pink-link series title above to go directly to the updated review.

Anne Bishop: THE OTHERS SERIES

Author:  Anne Bishop
Series:  THE OTHERS   
Plot Type:  Urban Fantasy (UF) 
Ratings:  Violence—4; Sensuality—2; Humor—3
Publisher and Titles:  ROC

   1   Written in Red (hardback, e-book, audio—3/2013; paperback—3/2014) 

   2   Murder of Crows (hardback, e-book, audio—3/2014; paperback—2/2015)

   3   Vision in Silver (hardback, e-book, audio—3/2015; paperback—2/2016) 

   4   Marked in Flesh (hardback, e-book, audio—3/2016; paperback—2/2017)

   5   Etched in Bone (hardback, e-book, audio—3/2017)

This ongoing post was revised and updated on 4/14/2017 to include a review of Etched in Bone, the fifth novel in the series. That review appears first, followed by an overview of the world-building and reviews of the first four novels. 

                      NOVEL 5:  Etched in Bone                      

PUBLISHER'S BLURB: 

     After a human uprising was brutally put down by the Elders—a primitive and lethal form of the Others—the few cities left under human control are far-flung. And the people within them now know to fear the no-man’s-land beyond their borders—and the darkness. 

   As some communities struggle to rebuild, Lakeside Courtyard has emerged relatively unscathed, though Simon Wolfgard, its wolf shifter leader, and blood prophet Meg Corbyn must work with the human pack to maintain the fragile peace. But all their efforts are threatened when Lieutenant Montgomery’s shady brother arrives, looking for a free ride and easy pickings.

     With the humans on guard against one of their own, tensions rise, drawing the attention of the Elders, who are curious about the effect such an insignificant predator can have on a pack. But Meg knows the dangers, for she has seen in the cards how it will all end—with her standing beside a grave. 

MY REVIEW: 

     In the aftermath of the Elders' victory in the war with the Humans First and Last (HFL) organization and its supporters, many, many human settlements across the globe have disappeared. 

To review: The Elders are "primal forms of terra indigene who guard the wild, pristine parts of the world.") They are extremely powerful creatures who view humans as insignificant beings who occasionally cause trouble and who occasionally serve as supper. 

   Many of the surviving smaller shifters have moved away from human-occupied places, leaving the humans to the mercy of the Elders. Some shifters went into the wild country while others resettled in towns that still had buildings and human things and could be reclaimed. 

   Human survivors have moved into the reclaimed towns, many finding themselves under the rule of the local terra indigene. Currently, no humans are allowed to cross the wild country without permission, and no humans are allowed to be out and about at night—not ever. Breaking those rules invariably leads straight to a horrible death at the hands of the Elders (who are always hungry for meat).

     The Elders are at a decision-making point. Even though they have always tried to stay well away from the humans, they realize that they can no longer do that. Some will have to watch the humans in case more enemies appear. Some of the Elders just want to kill all the humans and be done with it, but others disagree. In response to a call for across-the-board human deaths, one of the female Elders responds in shock, “You would kill the sweet blood not-Wolf?” (aka Meg). This brings the meeting to a halt as they consider Meg and her growing role in the life of the terra indigene. The question now becomes, “If we allow some humans to remain, then what kind of human should we keep?” And then it gets even more complicated: When the terra indigene and humans live in close proximity, the terra indigene begin to absorb some human traits. “Were there human traits the terra indigene should not absorb? Where could they go to study humans closely enough to learn what could not be allowed to take root in the reclaimed towns?" Guess where they go?

     Basically, the Elders need to learn "what made one human respectful of the land and the boundaries that had been set while another killed and left the meat, or tried to take away the homes of the feathered and furred." They know about the kind of humans who make war on the terra indigene—like the HFL humans—but they wonder if there are other kinds of humans who are enemies—kinds that the Elders do not yet recognize. 

     Unfortunately, they get a chance to observe one such enemy in the form of Lieutenant Montgomery's black-sheep brother, Cyrus, who comes to Lakeside looking for free food and board and a chance to slip back into his criminal lifestyle. At first, the Elders have a hard time seeing how a single insignificant human could possibly be a dangerous enemy, but as Cyrus does his bad-boy thing, they realize that his insidious, evil acts are just as dangerous as the HFL's blatant, violent attacks. Although the premise for putting Cyrus at the center of the plot is plausible and because it moves the Elders a few steps along in the acculturation process, I found Cyrus to be such a predictable one-note villain that I got bored with him early in the book. It was always clear to me that somehow he would set his sights on Meg (even though it takes him until the end of the book to do so), so there wasn't much suspense as he exhibited his increasingly abusive behavior toward his family and tried to run a few scams. In this series, we all know that NOBODY gets to hurt Meg, so it is always a certainty that Cyrus never really has a chance.

     For me, these are the three most interesting elements in this book:

>1. Meg has almost completely stopped cutting herself. She now relies mostly on her fortune-telling cards to foretell the future. Every time she gets that prickly feeling, she grabs the cards and comes up with a prophesy that is much clearer than in previous books when she was relying on blood-drenched trances. This new method of prediction, along with her deepening friendships at the Courtyard, has helped Meg develop courage and independence. Looking back at the terrified, uncommunicative girl who stumbled into the Courtyard for the first time in Written in Red, it's hard to believe that Meg has become the confidant young woman we see in this book.

>2. Meg and Simon's relationship makes a big leap forward in this book. (No, not THAT far!) Watching the two of them learn to love, respect, and depend upon one another has been a highlight of the series. They are both fully developed, complex characters who provide emotional highs and lows to the story lines as well as lots of humor as each tries to understand the other's culture. 

>3. The effect that Meg has had on Lakeside has been enormous. "She was the pebble dropped in a pond that was the Lakeside Courtyard, and the ripples of her presence had changed so many things, including the terra indigene who had befriended her. Because of Meg, the Courtyard's residents interacted with humans in ways that were unprecedented...Because of Meg, the Lakeside Courtyard had a human pack." As life in Lakeside Courtyard flows along almost untouched by the effects of the war, other communities take notice and send representatives to study what they are doing. Meg, of course, is the center that holds the Courtyard's increasingly pluralistic society together (along with Simon, who realizes that he is much different than the pure wolf he used to be). 

     As Lakeside Courtyard's human and nonhuman citizens live and work together, they establish new societal roles and new traditions. In a nod to myth and history, Bishop gives us a turkey-centered multicultural feast that brings the terra indigene and the human pack together and puts them in a situation in which they sit down together and have friendly social conversation over a huge meal—almost like a large, slightly dysfunctional, family. The scene is a bit corny, but still effective. (In a heartbreaking scene, Skippy has a memorable moment at the beginning of the feast.) 

     Although this isn't the strongest book in the series, it's still right up there near the top of my "best of" list for this year. I know that I have said this in my review of every book in the series, but I'll say it again. This is one of the best urban fantasy series currently in production. It has a fascinating mythology, extraordinarily complex characters, compelling story lines, and a lovely, understated romantic relationship that meanders through the series on a long and crooked path. Meg and Simon definitely get my vote for the all-time best urban fantasy couple.

     As in the previous books, much of the humor comes from the never-ending cultural miscues that crop up between the humans and the terra indigene. For example, in one of the reclaimed settlements, one of the humans wants to give all of the surviving pets new homes, but her vampire friend is trying to "discourage this idea without telling her that new terra indigene residents might think she was giving them an easy dinner." 

     In a cute scene between Meg and Simon, the two argue about why she turns her nose up at being served bison burgers and organ meats (heart, liver, etc.) but is happy to eat—as Simon calls it—"that yogurt stuff." As their conversation ends, Simon muses that, "He'd choose eating brains over yogurt any day." 

     The funniest scene involves the Elders' hunger for Meg's wolf cookies. First, they have to figure out how to write her a note demanding "cukkies." But they make the mistake of demanding, rather than politely requesting. Simon and Vlad are shocked to learn that Meg actually lectured the Elders and called them "bad puppies" because they didn't say "please."

     Then there are the plentiful throw-away lines like this one after Nathan and Simon eat a bad guy. Simon sniffs Nathan's mouth and says, "You should eat some grass or something before you go back to the Liaison's Office. You have human-meat breath."

     Don't miss out on a terrific supernatural fantasy experience. Start reading this series from the beginning to get the full effect of the brilliant character development. Click HERE to read or listen to an excerpt from Etched in Bone on the book's Amazon.com page by clicking either on the cover art or the "Listen" icon.

FULL DISCLOSURE: My review of Etched in Bone is based on an electronic advance reading copy (ARC) of the book that I received from the publisher through NetGalley in exchange for an honest review. I received no promotional or monetary rewards, and the opinions in this review are strictly my own. 

                     WORLD-BUILDING                      

     This fresh and inventive fantasy world is set in an alternate, but realistic, contemporary city located near the Great Lakes. In a nod to a familiar fairytale, the heroine (a Goldilocks-esqe young woman) doesn't just stop by the three bears' house to sample their porridge, she actually moves in and becomes their mail carrier. In addition to the bears, she has to deal with all sorts of other creatures—shape-shifting Wolves, Crows, Hawks, Vampires, Elementals, and other magical beings. This huge group of supernatural beings is called the Others, but our Goldilocks character doesn't run away from them, and she doesn't get eaten. Instead, she turns out to be a sort of Others-whisperer with the ability to soothe the beasts through calm words and small kindnesses. By the end of the series, she has changed all of their lives.

     The series mythology is outlined in a brief preface that explains how Namid (the Creator) created both humans and Others (the terra indigene—earth natives) and assigned them to separate parts of the world. Over the centuries, when the humans encroached on the Others' lands, the two groups went to war, with varying results. As time passed, the humans invented electricity, plumbing, technology, and manufacturing, while the Others maintained control of all of the natural resources, including water and natural fuels. After a few human missteps that resulted in extremely violent responses from the Others, humans learned that the terra indigene have the real power in this world, and they have mostly accepted that…but grudgingly. But that peaceful coexistence is about to change in a most dramatic way. 

     As the series opens, "Small human villages exist within vast tracts of land that belong to the Others. And in large human cities, there are fenced parks called Courtyards that are inhabited by the Others who have the task of keeping watch over the city's residents and enforcing the agreements the humans made with the terra indigene. There is still sharp-toothed tolerance on one side and fear of what walks in the dark on the other. But if they are careful, the humans survive. Most of the time…." (pp. 2-3) 

     Bishop has renamed the cities (e.g., Sparkletown stands in for Hollywood) and continents (e.g., America is called Thaisia), and even the days of the week (e.g., Sunday is Earthday, Monday is Moonsday), but most aspects of human society remain the same. She includes a "Geography" page and two maps of the Lakeside Courtyard at the beginning of each book.

     The most inventive part of the mythology is that the terra indigene are not humans who shift into animals; instead, they are animals who can shift into human form, but that is a facade that hides their true bestial nature. At Howling Good Reads (the Courtyard bookstore), for example, human patrons are warned upfront that the punishment for shoplifting is getting one of their hands bitten off. (That's for a first offense. You don't want to know what happens to a repeat offender!) The terra indigene make no secret of their feral nature, and they don't hold back on their innate violence when it comes to settling scores with those who trespass on their lands or attack one of their own.

     The terra indigene generally refer to humans as either "meat" or "monkeys." As one of them explains to a human woman, "We don't let humans live in our part of the world because we like you. We let you live here because you can be useful, and you've invented things that we like having. If it wasn't for that, you'd all be nothing but meat. Which is something you should remember." (p. 29) In another scene, one human explains his perceptions about the Others to another human: "They have learned a human shape, but there is no humanity in them, nothing that recognizes us as more than meat. More clever than deer or cattle, but still meat. And yet, when they couldn't find the [humans] who killed one of their own, they understood how to punish everyone in the city by tacking on a tax to the water rates. Which means they do have feelings about their own kind." (p. 61)

     Interestingly, the vampires among the terra indigene (called the Sanguinati) live in mausoleums and have the ability to shift back and forth between human form and black smoke. They have fangs, but they can also draw blood from a human just by touching them—as in shaking hands. In their smoke form, they can drain blood from victims by engulfing them in a cloud of their personal smoke. 

     Click HERE to read a short essay by the author about how she came to write this series. Click HERE to view the maps of Lakeside. Click HERE to view a list of places in the OTHERS world. Click HERE for a pronunciation guide to proper names and words used in these books. Click HERE to go to Anne Bishop's Courtyard page on Facebook, which focuses solely on this series. Click HERE to go to Anne Bishop's Facebook fan page, which includes information about all of her books/series.

                      NOVEL 1:  Written in Red                      

     As the novel opens, a young girl is on the run from an unidentified, but obviously terrifying, human pursuer. When she stumbles into the Courtyard in the city of Lakeside, she realizes with relief that she is safe—at least from her human enemies. Wet and cold, she confronts Simon Wolfgard, the Courtyard's dominant Wolf, and applies for the job of Human Liaison, telling him that her name is Meg Corbyn. That is a made-up name, though, because Meg has been known all her life as cs759, just another nameless blood prophet (aka cassandra sangue) at the Compound. The blood prophets are owned by the Controller, who keeps them enslaved in order to profit from their visions, which come to them when they cut themselves with a razor-sharp blade. 

     Simon is reluctant to hire Meg because he senses that she is a run-away and is disturbed that even through she is human she doesn't smell like prey. Unfortunately, though, Simon is dealing with a mountain of undelivered mail and a bevy of human truck drivers who refuse to deliver packages unless they can interact with a human—not an Other, so Meg gets the job. Here is Simon's explanation of the job of a Human Liaison: "Every city...has a Courtyard, a tract of land where the Others reside. These Courtyards are also places where products manufactured by humans can be acquired. But humans don't trust the Others, and we don't trust humans. A lot of the products are delivered by humans, and there were enough incidents early on to convince the human government and our leaders that it was prudent to have someone receiving the mail and packages who was not inclined to eat the messenger. So a receiving area was built at each Courtyard and is manned by someone who acts as the liaison between the humans and the Others." (p. 12)

     The plot follows 24-year-old Meg as she settles in at the Lakeside Courtyard and quickly makes friends among the terra indigene, mostly just by being nice, submissive, and efficient at her job. Meg is not only adjusting to life among the Others; she is also learning how to live on her own out in the real world. During her years in the Compound, everything she learned about the outside world came through videotapes, movies, and books. For example, she has seen pictures of kitchen appliances, but she has never seen a real refrigerator or microwave and she certainly doesn't know how they work. As a result of her sheltered life, Meg comes across as extremely naive. A human police officer remarks that "Ms. Corbyn lacks the maturity of her physical age. If I hadn't seen her, I would have placed her at half her age." (p. 64) Another human character describes her as a "feeb."

     The villains in the story are the Controller's thugs and a young con-woman named Asia Crane, who has been hired to infiltrate the Courtyard and learn as much as she can about its layout and operations. As Meg befriends the terra indigene, her enemies plan and carry out their strategies: to capture Meg and to kidnap a young Wolf boy (Simon's nephew, Sam). Additionally, someone is trying to stir up a war between the humans and the terra indigene by distributing a poisonous substance that makes both terra indigene and humans act out in extremely aggressive ways. The suspense slowly builds to a fever pitch, with the final quarter of the book climaxing in a no-holds-barred wintry battle between the terra indigene and the dastardly human intruders. Bishop tells the story in the third-person voice, mostly from Meg's perspective, but also occasionally from the viewpoints of Asia, Simon, some of the Others, and a local police lieutenant named Crispin James (Monty) Montgomery.

     Meg's character, for me, is both the weakest and the strongest element in the book. All the way through, I was bothered by her too-good-to-be-true, Mary Sue personality, but I also came to understand that that kind of personality is the key to her survival among the Others. If she had been feisty and aggressive from the beginning, someone would have eaten her by the end of her first day—probably Simon. Her low-key submissiveness is actually her means of survival, and she does grow some backbone as she becomes more and more familiar with and confidant in both the human world and the Others' world. In the end, Bishop's excellent story-telling drove Meg's personality issues into the background, and I found myself gripped by the story, which pulled me in and kept me turning pages until deep into the night. 

     This is a riveting novel that kept me engrossed from beginning to end. Beyond the prologue, details of the mythology are introduced through dialogue, not in an info-dump manner, but as a means of introducing Meg to the rules, regulations, and traditions of the Others' culture. Although I knew from the beginning that Meg and Simon would bond sooner or later, it was still fun to watch their relationship develop from fear on Meg's part and disdain on Simon's part to mutual respect and just a trace of physical attraction. Adding to the story's appeal is the sly humor that comes mostly in the dialogue among the Others and the Others' attempts to converse civilly with humans, which always go hilariously wrong. Click HERE to read an excerpt from Written in Red.

                      NOVEL 2:  Murder of Crows                      

     Bishop does readers a great favor by including "A Brief History of the World," an overview of the mythology of the world of the Others (aka terra indigene), at the beginning of the novel. I wish all authors would do this instead of forcing the mythology into the dialogue and/or narration of each book in a series. 

NOTE: When the name of an animal is capitalized, that means that the animal is one of the Others. If it is not capitalized, it is referring to regular animals. For example, Crows are shape-shifting Others, while crows are just big black birds.

     The novel drops us immediately into a literal murder of both Crows and crows, which turns out to be one of the opening attacks on the terra indigene by followers of the Humans First and Last (HFL) organization. Currently, two dangerous drugs are on the black market: gone over wolf and feel good, and as we learned in book 1, both have a connection with the cassandra sangue (aka blood prophets)—young female prophets who see visions whenever their skin is cut. In this trash-pick-up-day scene in a town near Lakeside, some teenage boys place food poisoned with feel good on top of the garbage on a suburban street. Then they dose a pair of dogs with gone over wolf poison. Traditionally, both Crows and crows flock to the open garbage cans and trash bins on pick-up day in search of both food and shiny objects. When the birds ingest the poisoned food, they immediately drop to the ground, unable to move, and the dogs, who have by now become extremely aggressive due to the gone over wolf poison, attack and kill them as well as a human girl who happens to be standing near one of the garbage cans.

     The HFL has been stirring up anger against the Others all over the world, and now that anti-Other rage and discontent is spilling into the area in and around Lakeside. The plot centers on the horrific consequences that result from several despicable human acts of bigotry and terrorism against the terra indigene and against some humans who are under the protection of the terra indigene. One element that makes this series so inventive and exciting is that the terra indigene are never the underdogs in any fight with the humans, although the humans continue to delude themselves by believing that they are far superior to the shape-shifting "animals." In this series, the supernaturals are always going to win in the end, and the only reason the humans don't realize this is that they have rewritten their history books and have twisted media information so that it seems like humans are smarter, stronger, and all-around better than the terra indigene. In this book, the humans learn the hard way that that point of view is wrong, wrong, wrong.

     The three-pronged plot of the book follows these story lines: 

>> The development of Meg Corbyn's life among the Lakeside Courtyard inhabitants as she continues to figure out how the outside world works, tries to control her cutting, and stumbles through her blossoming friendship with Simon Wolfgard (which is highly entertaining all in itself, particularly Simon's side of the situation). 

>> The gradual changes in attitude among the inhabitants of the Lakeside Courtyard, including the implicit recognition of Meg's human pack, and the Lakeside Others' realization that they need to learn more about human culture and societal traditions as they come into more and more contact with humans (e.g., several Lakeside police officers and additional human Courtyard employees).

>> The search for the source of the two poisons and the hunt for the Controller—the man from whom Meg escaped in book 1—who is imprisoning and breeding young girls to create his own cadre of profitable prophets. (This is the action part of the plot, and it ends in the inevitable climactic showdown).

     As the story develops, we are introduced to a new group of people: the Intuits (aka Native Americans), who have a connection with the cassandra sangue (blood prophets like Meg). The Intuits get feelings about things that matter to them as individuals. For example, Steve Ferryman gets feelings about water-related future events because he runs the Ferry between the mainland and the Great Island. If an Intuit says, "I have a feeling…." most Others have learned to pay attention. The Inuit community in this book is located in Ferryman's Landing, a town that has both a mainland and an island section, divided in half by the Talulah River (a stand-in for the Niagara River). The town of Talulah Falls, which is having its own problems with human-Others relations, plays a key role in the story when the Others shut it down completely after a grisly act of human terrorism against a Sanguinati (aka vampire) and a cassandra sangue. This incident edges the novel very close to the horror genre.

     The culture-clash humor is even better in this book than it was in the first one, and it begins in the very first scene. In order to keep Meg secure, Simon has been sleeping in her bed every night as a Wolf—an arrangement that has been working fine for both of them. On this night, however, Meg has a bad dream (a vision, actually) and accidentally kicks Simon out of bed. Because he wants to know what's going on, he shifts into human (naked male) form, which freaks Meg out because sleeping with a soft furry Wolf is a whole lot different than sleeping with a big hunk of gorgeous, bare-skinned manhood. Simon, of course, has no idea why she is so upset. A major kerfuffle follows, eventually drawing wacky opinions from just about everyone in the Courtyard. Such is life in a world in which Others and humans have so little contact with one another that neither group understands the social conventions and traditions of the other. Many of the cultural clashes are simply hilarious, such as the scene in which Simon and a bunch of male terra indigene find out first hand (and for the very first time) what it actually means when someone says that a human woman is acting strangely because it's "that time of the month." On a more sober note, the terra indigene begin to realize that many humans whom they have had trusted in the past have neglected to explain various human customs to them—either because they didn't realize that they needed to or because it gave them leverage over the terra indigene. 

     Bishop has a wonderful talent for dryly injecting the culture-clash humor into both the dialogue and the narrative. For example, when Simon asks, rather then orders, Meg to stay away from Market Square one evening, she reflects, "Well…he had made an effort to sound as if he were asking her to stay away. Of course the word please sounded very different when it was snarled. But that was Simon, and friends accepted friends for who they were. She'd read that in a magazine…." (p. 91) In another scene, Simon is worried that Meg is upset about something, so he keeps asking her if she's sure she's all right—which makes her mad. Simon muses, "If she would let him sniff her properly, he'd know if she was all right without having to keep asking." (p. 208) Here's another example: When Meg finds a new source of fresh-baked cookies for the terra indigene (because the local pet store won't sell to the terra indigene any more) the cookies come in different shapes depending on their flavor. When the first shipment arrives, Simon opens the container and holds up a cookie shaped like a person: "Human-flavored cookies?" He sounded pleased. Nathan (a young Wolf) pricked up his ears and said, "Arroooo?" (p. 220) (Note: The people-shaped cookies are flavored with chamomile—not people, to Simon and Nathan's great disappointment.) As Simon's relationship with Meg moves into and beyond friendship, he pauses to reflect on just what friendship means, whether a Wolf and a human can really be friends, and why he is feeling so possessive about his friend Meg. He reflects: "Maybe he really did need to read one of those romances about humans and wolves to figure out the inconsistencies in the female brain." (p. 279)

     Although the action part of the plot is extremely gruesome and brutal, just keep remembering that the good guys always win, although there will probably be some collateral damage along the way. This is a great novel and a terrific series with just the right balance of horror and humor to make it a real page-turner. I'm looking forward to the third novel, which will unfortunately not be coming until next year. Click HERE to read an excerpt from Murder of Crows.

                      NOVEL 3:  Vision in Silver                      

     I'll begin by saying that I truly love this series and that it is one of the few that keep me so engrossed that once I open an OTHERS book, I can't stop until I reach the end. Once again, Bishop begins the book with "A Brief History of the World," an overview of the mythology of the world of the Others (aka terra indigene). Of particular importance for this book is the ending of that section, which deals with what happens when humans break their agreements with the terra indigne. "There is still sharp-toothed tolerance on one side and fear of what walks in the dark on the other. But if they are careful, the humans survive. Most of the time they survive." In this book, some of the humans are not careful, so let's see what happens.

     As the book begins, Meg Corbyn, the blood prophet (aka cassandra sangue) who is the series heroine, makes a controlled cut. In the past, Meg's prophecy-driven cutting has frequently been uncontrolled and has resulted in major tumult within the Courtyard—the headquarters for the Lakeside Others. Meg believes that if she cuts regularly under controlled conditions, her cutting will stop being so frenzied and unpredictable. Meg's friend, Merri Lee, writes down Meg's prophetic words as she is in the midst of her euphoric prophesying—a series of ambiguous phrases that come true in the chapters that follow. It's always fun to try to figure out exactly what Meg is predicting and to have that "Aha!" moment when they turn up in the story. Here is Meg's prophecy—an explicit guide to the plot of this book—NOT!

       Help Wanted: NWLNA
       Trail Fire (blaze/inferno?) Path compass/Compass Path?
       Pregnant girl on dirt road. Silver razor Blood. "Don't It's not too late!"
       Girl crying. Silver razor. Broken deer beside highway (roadkill).
       Brown bear eating jewels.
       Vegetable garden. Paws digging, hands planting.
       For Sale signs

     The over-arching plot revolves around the efforts of the Humans First and Last (HFL) to incite humans to rise up against the Others. In Lakeside, businesses begin to refuse service to the Others, friends of the Others (called Wolf Lovers by the HFL) are intimidated, and humans try to blame Others for crimes they themselves have committed. Within this atmosphere, Bishop develops several story lines: 

>> Meg is trying her best to extend her life by controlling her cuts. "A thousand cuts. Supposedly that's all a cassandra sangue could make before the cut that would kill her or drive her insane. And it wasn't just the cuts made with a razor. Any injury that broke skin counted as part of that number. Most…wouldn't see their thirty-fifth birthday, and here was Meg cutting without a reason." Meg has to figure out how to control her cutting addiction by not always grabbing her razor when she has those prickly feelings that presage a prophecy. Besides the deleterious effect that cutting has on her own lifespan, the blood of a cassandra sangue has a poisonous effect on the Others, so Meg can't risk bleeding when any of them are within sniffing or licking range.

>> Connected with Meg's control issues is a story line about the young girls who were rescued from the Compounds in the previous book. They are not dealing well with the over-stimulation of life in the real world, so Meg and her human pack (aka her girlfriends at the Courtyard) begin to write a help manual. When first told about the book, Meg sarcastically labels it The Dimwit's Guide to Blood Prophets, but it is eventually called The Blood Prophet's Guide.

>> Inexplicably, Meg begins to have violent reactions to subtle changes in her environment. Although Meg has always needed a high degree of constancy in her daily life, she has never reacted so violently to minor changes, so her strange behavior is entirely unexpected and unexplainable.Meg's friend Merri Lee summarizes the situation: "Constant versus change. A limited tolerance for change within the constants. And feeling stressed when routines are disrupted." 

>> A major story line involves Lieutenant Crispin James (Monty) Montgomery of the Lakeside Police Department, one of the few humans trusted by the Others. We learned in the previous book that Elayne, his ex-girlfriend, is romantically involved with Nicholas Scratch, a major player in the HFL. Elayne has moved to Toland (aka New York City) with her new boyfriend, taking Montgomery's daughter, Lizzie, with her. That situation blows up in this book, with reverberations that affect all of Thaisia (aka the U.S.). (HINT: Historically, the name "Nicholas Scratch" has been a euphemistic name for the devil.) 

>> The humans in Thaisia are in the throes of a mysterious food shortage that they blame on the Others, but no one is able to figure out why the shortage even exists. Farm production hasn't decreased, so what's going on?

     The HFL story line is the most interesting as we watch these haters gradually build support by working behind the scenes, twisting every event to their advantage and always blaming the Others for every single thing that goes wrong in Thaisia. Less successful are the story lines dealing with Meg's cutting and the blood prophets' adjustments to human society.

     During their years of imprisonment in the Compound, Meg and the other blood prophets learned about the outside world solely through images. They lived in sterile rooms with just a few pieces of furniture and very few accessories. When they go out into the world, they can't deal with all of the sensory stimulation. When they are housed in rooms filled with colorful patterns and shelves full of trinkets and curios, they can't handle the over-stimulation. Some commit suicide, while others retreat into themselves and cut themselves frequently to maintain the euphoria that keeps them from dealing with their new lives. I accept that the new girls would have this problem, but when Meg begins to have it, I just couldn't buy it. In the previous two books, Meg has shown a need for stability and uniformity in her environment, but not to any great extent. In this book, though, she goes bananas when she sees herself in a mirror after getting a new haircut and when one of her friends moves a stack of CDs in her sorting room. In nearly every scene, Bishop has Meg analyzing her immediate surroundings (at great length) as she tries to deal with this out-of-nowhere problem. If Meg had had this problem back in book 1, I would have understood it and accepted it, but to have it show up now, after all that she has been through in the Courtyard, it just seems wrong, not to mention how all this analysis slows down the pace.

    As usual, there is plenty of humor in the give and take between the humans and the Others. For example, when Simon Wolfgard decides to purchase some property from a human, he can't understand the need for piles of paperwork and the requirement that a cashier's check be issued to pay the owner. He muses, "Why couldn't they just give the human…a bag of money and then pee on the building so that everyone would know it was theirs?"

     One of the greatest pleasures of this series is its large cast of well-developed characters, both humans and Others. Each book adds more layers to each character, but Bishop doesn't "tell" us about these characters. She has them "show" us who they are through their own words and actions, and she does a masterful job.

     Simon and Meg's relationship is still at a best-friend stage, but they are getting closer and closer to actual intimacy without their even realizing it. Bishop reveals their blossoming relationship through their own thoughts and actions and through the responses of their friends to their slowly changing behavior toward one another.

     As the plot plays out, a new type of terra indigene makes itself known—a group that shows intense interest in Simon's interactions with the humans in Lakeside. I'm sure that we'll be hearing more from them in future books.

     This is another great addition to a terrific series that I highly recommend. It has everything you want in a great paranormal series: an inventive mythology; an interesting series story arc; appealing, multi-dimensional characters; fast-paced action; and lots of humorous dialogue. I recommend that you read this book in sequence in order to fully understand the references made to past events. Click HERE to read an excerpt from Vision in Silver.

                      NOVEL 4:  Marked in Flesh                      
PUBLISHER'S BLURB: 

     For centuries, the Others and humans have lived side by side in uneasy peace. But when humankind oversteps its bounds, the Others will have to decide how much humanity they’re willing to tolerate—both within themselves and within their community. 

     Since the Others allied themselves with the cassandra sangue, the fragile yet powerful human blood prophets who were being exploited by their own kind, the delicate dynamic between humans and Others changed. Some, like Simon Wolfgard, wolf shifter and leader of the Lakeside Courtyard, and blood prophet Meg Corbyn, see the new, closer companionship as beneficial—both personally and practically. 

     But not everyone is convinced. A group of radical humans is seeking to usurp land through a series of violent attacks on the Others. What they don’t realize is that there are older and more dangerous forces than shifters and vampires protecting the land that belongs to the Others—and those forces are willing to do whatever is necessary to protect what is theirs. 

MY REVIEW: 

     The basic theme of this book rests on a series of questions related to humanity. The first chapter begins with this message from the Elders to Simon: "The sweet blood [Meg] has changed things. You have changed because of her. We are intrigued by the humans who have gathered around your Courtyard, so we will give you some time to decide how much human the terra indigene will keep." In literal terms, then, the Elders want Simon to answer the question: "How much human do the terra indigene want to keep?…Or more to the point, how many humans do we want to keep?" In other words, which human qualities/products/skills;services are vital to the Others, and which humans deserve to survive? But that question leads to other questions. For example, "How much human is too human?" Meg worries that the terra indigene and their Elders will think that Simon is becoming too human because he is spending so much time with humans—and that it is her fault that so many humans have come to the Courtyard. Meg also has to decide, "How much human did she want?" She certainly doesn't want Simon to become too human because she has had mostly bad experiences with human men. She actually trusts Simon because he is not human. She wonders, "Just how human could Simon be without giving up what he was?" Simon wonders the same thing. Bishop skillfully weaves this conundrum into the relationship scenes as well as the strategic planning scenes. 

     In the previous book, the Humans First and Last (HFL) movement ramped up their aggression against the terra indigene, and now they are about to proceed with their "land reclamation project," a series of hostile actions that are meant to completely wipe out the Others and give humans total control over the entire world. The HFL members think that all of the stories about the legendary wrath of the terra indigene Elders are just fairy tales. They have no idea that the Elders are now taking a lively interest in their worldwide shenanigans. As businesses in Lakeside begin posting "Humans Only" signs and Others-friendly businesses are attacked and burned, the tension builds to an almost unbearable point. Will the Elders take action in time to save the terra indigene? Are they as powerful in real life as they are in the legends? What will happen to the Others' human friends and allies? Will the Intuit people make it through safely? And—most of all—will the Elders take a satisfying revenge on Nicholas Scratch and his HFL buddies?

     Although the HFL story line is the one that has the most action, it is not the sole plot of this novel. Here is a description of several more story lines that are just as suspenseful, but with more thought than action: 

>> In Sweetwater, a terra indigene settlement in the Northwest, the young cassandra sangue, Hope Wolfsong, is still trying to adjust to a life of freedom. She lives with Jackson Wolfgard and his wife, Grace, and she is trying to wean herself away from cutting by drawing her prophecies with colored pencils. During the events of this novel, she and Meg are surprised to learn that their prophesies match up perfectly. 

>> Meg is trying to stop cutting herself, so she is happy when her prophetic itch responds to some drawings that Hope sends her. As the Trailblazer for the blood prophets, Meg is feeling pressure to help the cassandra sangue living outside the compounds to achieve some kind of consistency in order to communicate with one another. "She needed to find another, already available, source for images. Wasn't that part of her job as the Trailblazer, to help the other blood prophets find the tools they needed to survive?" As the plot advances, Meg gathers together several sets of pictorial cards and begins to develop a Trailblazer deck that she hopes will become a successful, bloodless approach to interpreting prophesies. 

>> Another blood prophet named Jean is living with a Simple Life family on Great Island. Her prophecies also intertwine with Meg's and Hope's.

>> Joe Wolfgard (whom we met in a previous novel) has moved West to Prairie Gold (an Intuit settlement in the northern half of the Midwest) to begin interacting with the Intuits just as Simon interacts with the Intuits of Sweetwater. Assisting him is Tolya Sanguinati, a terra indigene with strong diplomatic skills. Unfortunately, the HFL has strong support in the near-by human city of Bennett, resulting in several nasty encounters and—eventually—tragedy. Bishop introduces several strong characters who live in or near Prairie Gold: Jesse Walker (shopkeeper), her son Tobias (rancher), and Shelley Bookman (librarian).

>> Steve Ferryman, human leader of the Ferryman's Landing Intuit settlement, not far from Lakeside, gets involved in Simon's bison importation plan, which comes about as a result of two prophecies: one from Hope's drawings and one from Meg's card-reading. 

>> The Lakeside police officers who are sympathetic to the Others must deal with some family members who support HFL. Several of the police officers actually move into the apartments across the street from the Courtyard that are now owned by the Lakeside terra indigene. 

     Bishop scatters memos from Nicholas Scratch, the leader of the Thaisian HFL, all through the book, along with responses from Scratch's Cel-Romano (aka European) counterpart. Each memo moves the HFL one step closer to its goal (or at least that's what the leaders and members believe).

     Meanwhile, Bishop inserts a number of mysterious scenes in which nameless, formless "somethings" lurk around the outskirts of the human cities, watching the HFL's actions and internalizing their methods. The Elders are quite literal minded, so they whole-heartedly believe that the punishment should exactly fit the crime. This makes the reader an omniscient observer. We, along with the Others, have a pretty good idea about what is going to happen to the HLF supporters. But what about the humans who haven't supported the HLF? And what about the Intuit, who have always believed in the truth of the legends? Bishop is masterful in building this suspense from the beginning to the very end of this book. 

     Bishop continues to entertain the reader with dialogue filled with humorous incidents involving the Others' responses to human behavior and language, most of which involve Simon. For example, when Simon learns that a prospective human messenger rides a bicycle, he gets excited: "He had no interest in learning to ride a bicycle, but he really wanted to chase one." In another scene, when Simon dodges a direct question, one of the police officers says, "You're pussyfooting around." Simon is insulted and indignant: "I'm a Wolf. I do not have pussy feet!" Throughout the book, Simon and Meg continue to develop their relationship in ways that are both touching and humorous. For example, Simon is reading romance novels ("kissy books," he calls them) in search of useful information about the mating behavior of human females. I love the scenes in which Simon tries his best to understand and react appropriately to human social behavior, but never gets it quite right.

     Bishop has delivered a top-notch novel that takes a giant, bloody leap in advancing the series story arc. The suspense builds to an action-filled climax and a satisfyingly apocalyptic conclusion. This series is at the top of my "BEST SERIES" list. There is not another like it. Everything about it is terrific: the world-building, the plotting, the characters, the dialogue—everything! These are books that you can’t stop reading, and when they end, you can hardly stand to wait 12 months for the next one. I do recommend that you read Marked in Flesh in sequence, not as a stand-alone, because the action relies on references to past events. (Trust me, you're going to love the earlier books.) Click HERE to read or listen to an excerpt from Marked in Flesh on the book's Amazon.com page by clicking either on the cover art or the "Listen" icon.

FULL DISCLOSURE: My review of Marked in Flesh is based on an electronic advance reading copy (ARC) of the book that I received from the publisher through NetGalley in exchange for an honest review. I received no promotional or monetary rewards, and the opinions in this review are strictly my own.