Plot Type: Soul Mate Romance (SMR), Steampunk
Ratings: Violence—4; Sensuality—4; Humor—3
Publisher and Titles: Pocket
1 Wicked As They Come (3/2012)
2 Wicked As She Wants (4/2013)
3 Wicked After Midnight (1/2014)
4 Wicked Ever After (10/2015)
NOVELLAS and STORIES
"Not My Circus, Not My Monkeys in Three Slices (prequel story, 5/2015)
"The Three Lives of Lydia" in Carniepunk (prequel story, 7/2013)
"The Mysterious Madam Morpho" (e-novella, 10/2012)
"The Peculiar Pets of Miss Pleasance" (e-novella, 4/2013)
This terrific little story is a delight to read because Criminy is always a such a smart, sly, spellbinding character. In one memorable scene, he makes friends with a daimon by teaching him to hammer a nail into his own eye. "My name is Criminy Stain," he says to the daimon. "And I might be strange, but that's just part of my charm." Although he is sometimes sidetracked by lustful thoughts, he keeps his ultimate goal front and center in his mind—to own his own very successful circus: Criminy's Captivating Caravan. As Criminy tells his tale in his snarky manner, with an underlying viciousness that causes the reader to shudder now and again, we can't help but root for him to win his heart's desire even if he does have to resort to a bit of murder and mayhem along the way.
This story serves as a great introduction to the BLUD series, but will also be enjoyed by those who have already read the BLUD novels and can't get enough of Criminy. Click HERE to read my complete review of Three Slices: Stories by Delilah S. Dawson, Kevin Hearne, & Chuck Wendig.
Years ago, Sang was balanced between Pinkies and Bludmen, but for some reason that balance changed. Blud-animals began to wreak havoc in the countryside, and the Pinkies retreated to walled cities where they now zealously guard their non-Blud domesticated animals. The Pinkies hate and fear the Bludmen, viewing them as blood-sucking terrorists, while the Bludmen seek only to earn enough money to buy a vial or two of blood every week or so and go about their business in peace. The Pinkies dress in clothing that completely covers their skin to prevent Bludmen from being attracted to their blood.
There is little contact between our modern-day mortal earth and the land of Sang, but in novel 1, we learn that some people from the modern mortal world can travel to Sang while their bodies are either asleep or in a coma state. The people of Sang call these time travelers "strangers" and they are immediately imprisoned if they are caught.
In a blog interview, Dawson talks about the underlying themes of her series: "The steampunk fantasy world in which my BLUD series takes place was built to be the perfect backdrop for magic, adventure, and sexy romance, and yet the books have deeper, darker themes that explore my own fears and past wounds. One heroine is escaping from rape and parental abandonment, another is nursing her dying grandmother and has just left an abusive relationship to find herself. Demi, the heroine of Wicked After Midnight, was a depressed art history major in our world who went into a coma from alcohol poisoning, woke up in a parallel universe, and was nearly killed by a warren of vampire rabbits."
Click HERE to go to a page on Dawson's web site with links to free series-related stories. Click HERE to read my review of the anthology Carniepunk, which contains a prequel short story for the BLUD series.
The Mysterious Mr. Murdoch is Crim's artificer and metallurgical zoologist, which means that he constructs and programs the many clockwork animals that provide security for the caravan and participate in some of the acts. Murdoch is even more mysterious than Imogene. Most of the carnivalleros have never seen him, and they spin all kinds of stories and rumors about him in the absence of any concrete facts about his life. Surprisingly (or not), Murdoch allows Imogene to see him, talk with him, and even share a romantic moment.
Both Madam Morpho and Mr. Murdoch are on the run, each for a different reason. The story line follows the development of their romance and the eventual resolution of their problems with the law.
This is a nice little story that is enhanced by the presence of the quirky caravan folk. The lead couple falls in love way too quickly, but this is a novella, after all, so there isn't much time for the usual cutesy foreplay (although at one point, Murdoch tells Imogene, "You are the most fascinating creature I've ever met that wasn't made of metal."). Click HERE to read an excerpt.
As the story opens, Frannie rescues Casper from being chewed up by bludrats as he lies drunk in an alley after being hit over the head. Because Casper looks exactly like Frannie's dead brother, she drags him home and allows him to stay in her spare room as a lodger until he gets himself together. Casper isn't a very nice person in this story as he constantly gets drunk, breaks his promise to help Frannie around the shop, and tries to hit on her even though she tells him, "No thanks." At this point in his life, Casper is a famous (and obnoxious) London harpsichordist—kind of a rock star—and his ego is bigger than ever.
When someone firebombs Frannie's house, the firemen save the building, and Thom, the fire chief, falls for Frannie (and vice versa). The story follows the development of their romance as they try to figure out who is trying to harm Frannie and why. The answer to that question doesn't really make much sense, but if you don't think about it too hard, the story, in general, is nicely told, with a a pair of lead lovers who have quirky back stories and interesting personalities. All the way through, the reader learns that Casper is something more (or less) than human, but no concrete information is given about his "condition." That must wait for novel 2. Click HERE to read an excerpt.
For the first half of the story, Ahna is an insufferable, arrogant shrew, treating Casper as if he were her slave and generally making herself as obnoxious as possible. When Casper kisses her fairly early in the story, it's a bit of a shock to the reader, because she has been so completely unpleasant and there has been no hint of romantic feelings on his part. The plot follows Casper and Ahna as they make their way to Freesia so that Ahna can defeat (and kill) Ravenna, the witch who killed her parents and took over the throne. Also along for the ride is Lorelei Keen, a young girl whom Casper rescued after she entered Sang as a Stranger.
Although this novel has a few compelling moments, it's just not up to the high standard set by Wicked As They Get. Ahna is such an unpleasant character for much of the story that it's hard to have much sympathy for her. Casper fares much better in this novel as he comes to terms with his addiction to bludwine and begins to control his drunkenness. He's a much kinder person in this novel than in any of the previous stories. Several characters from previous parts of the series either appear or are discussed (e.g., Reve, the daimon costumer; Mr. Sweeting, the evil daimon sorcerer) As the story line plays out, Casper is reading Walt Whitman's Song of Myself and he keeps inserting lines from that poem into his conversations with Ahna—kind of interesting but also a bit odd because some of the lines are relatively obscure.
For me, the weakest element (other than Ahna's annoying character) is the ending, both the part dealing with Casper's fate and the requisite showdown between Ahna and Ravenna. Without going into any Spoilers, I'll just say that they both felt anticlimactic and, in the case of Casper, relatively predictable. Maybe my problem is that I was so blown away by the first novel in the series that I find it hard to accept the fact that the author has been unable to match the intensity, plot development, and characterization of that book—not in this novel and not in the two novellas. This isn't a terrible novel by any definition; it's just not as good as I expected it to be. Click HERE to read an excerpt.
NOVELLA: "The Damsel and the Daggerman"
When Crim gives Jacinda permission to interview any of his carnivalleros who consent, she centers her attention on the mysteriously handsome Marco Taresque, the Deadly Daggerman (knife thrower). Caravan gossip and old newspaper articles tell Jacinda that Marco is a wanted man, suspected of murdering his beautiful partner, Petra. As lustful sparks fly between Jacinda and Marco, she becomes certain of his innocence and grows more and more determined not only to share his story, but also his bed.
Jacinda is an aggressive, no-holds-barred woman who has habitually been shameless in using her womanly arts to seduce information from men and her charming guilelessness to captivate women—always getting her story. But with Marco, Jacinda finds herself overwhelmed with desire while he manages to distance himself from her and keep his secrets hidden. That all changes, though, as their mutual attraction soon explodes into flaming passion. Eventually, a dangerous person from Marco's past puts both their lives in jeopardy, but that doesn't happen until the very end of the story.
The strength of this novella is that it provides more back story on some of the caravan characters we've met in previous books. It also serves as an introduction to Demi Ward, the heroine of novel 3. The love story is interesting enough (although it's another case of insta-matic love/lust), with a non-traditional hero and heroine whose story includes some graphic love scenes (one in particular) and just enough danger to add some needed suspense. Click HERE to read an excerpt.
NOVEL 3: Wicked After Midnight
Six years ago, when Demi lay in a near-death coma from alcohol poisoning back on 21st-century Earth, her naked, dying body suddenly popped up in a meadow in the Land of Sang, where she was promptly attacked by ever-hungry blud bunnies. To save her life, Crim offered her his blud (blood), changing her immediately from a human (aka Pinky) to a Bludwoman. During the next few years, Demi partnered with her best friend, Cherie, in a sensational contortionist act. Demi has been a headstrong, rebellious, stubborn, self-centered person all her life—both on Earth and in Sang, and those aspects of her personality are the ones that have always gotten her into trouble, and which were the cause of her human death. Has she matured? Has she learned any life lessons? Well…no, she hasn't, as proved by the frequent poor decisions she makes in this story. From the very beginning, Demi proves to be a master at putting her (and sometimes her friends) in the middle of a wide variety of TSTL predicaments—all in the name of personal freedom.
One revealing point that you should keep in mind is the prophecy that Tish (Crim's "glancer" wife) made when she first touched Demi: "I see feathers, fairies, mortal danger, a handsome stranger, and a trip to hell." (p. 10) As the plot unwinds, all of these predictions come true as Demi forces her way along her self-made, but dangerous, pathway to stardom.
As the story opens, Demi is determined to get away from the Caravan. She has no real plans—just wants to run away and make a glamorous, exciting new life for herself. When Crim reluctantly agrees to fund a trip to Franchia (France), she is ecstatic. She bullies Cherie into going along, although Cherie has grave misgivings. Unfortunately for Demi, Crim sends along a chaperone to supervise their trip: the daimon dancing mistress, Mademoiselle Caprice. As soon as they reach Franchia, however, Demi drugs the chaperone, steals most of her money, and sets out for Paris. Almost as soon as their carriage reaches the open countryside, they are set upon by a masked gang of slavers, who capture Cherie but not Demi. At first, Demi is filled with guilt, realizing that she has put Cherie in dire danger by bullying her into going along on this disastrous journey. Almost immediately, though, she hooks up with Vale Hildebrand, a handsome, half-Abyssinian brigand who promises to take her to a cabaret in Paris so that she can begin her career on the stage and search for Cherie.
From this point, the story follows Demi as she bluffs her way into a job at the Paradis Cabaret, soon becoming the top star. Unfortunately, with stardom comes responsibility for "entertaining" the lust-filled "gentlemen" patrons who flock to Demi's shows. Although Demi is 26 years old and has been performing for the public for six years, she is incredibly naive about what goes on behind the scenes, particularly anything related to sexual favors and male power.
Meanwhile, Vale sticks around, searching for clues that might lead to Cherie's location and hitting on Demi whenever he can. Demi and Vale are mightily attracted to one another, but both have past experiences and current financial difficulties that keep them from totally committing to one another. The reader knows from the moment they meet that they are soul mates, but they don't figure that out for themselves until well into the story.
The action part of the plot involves a nefarious group of men that is kidnapping women, mostly daimon dancing girls, from the cabarets of Paris. Most of the cabarets are owned and staffed by daimons, but the patrons are almost all humans. Demi is sure that if she can infiltrate this mysterious group she will find Cherie. Vale, determined to protect Demi, continues to search for clues.
Interestingly, a new part of the mythology develops in this novel because the primary supernaturals in Franchia are daimons in all shapes, sizes, and colors. Mademoiselle Caprice explains to Demi and Cherie that "daimons draw energy from emotions. There are different classes of daimons but you can't tell by looking what a daimon requires for health. I feed on passion. Some depend on comfort, happiness, awe. The dark daimons hunger for sadness, hopelessness, rage, pain. They cannot help craving such things,….Most daimons feast on forms of happiness and lust." (p. 24) The population of Franchia is split equally between humans and daimons, with just 1% Bludmen. Daimons don't drain human blood like Bludmen do, so the humans and daimons live together in relative peace. Because Demi is a Bludwoman—a rarity in Paris—her rise to cabaret stardom is quite shocking and titillating to the male population, and some of them will pay any price for a few hours of private time with her. She becomes so famous that the renowned, but mysterious, artist, Lenoir, wants to paint her portrait.
Much of the humor in this story comes from Demi's frequent anachronistic references to 21st century culture. Having been just 20 years old when she died her human death, she has a vast knowledge of the movies, books, and products of her youth. For example, at one point, she advises the Paradis choreographer to dress the daimon dancing girls "as forks, napkins, salt cellars, sugar bowls, teacups. Like a giant table, putting on a show for just the diners. Inviting the audience to be our guests." (p. 156)—a direct reference to Disney's Beauty and the Beast. Demi achieves some of her fame by being the very first to perform the can can—a dance that she realizes has not yet been invented in Sang Paris. Demi also has a strong background in art history, so she recognizes immediately that the sinister painter, Lenoir, is an amalgam of Toulouse-Lautrec and several famous turn-of-the-century Impressionistic painters (e.g., Monet, Renoir, Pissaro).
Although the plot is well constructed and the level of suspense remains high throughout, it is the lead character who is the weak link in this story line. Demi gives new meaning to the word "diva," with her high-handed antics, her arrogant superiority, and her abrasive verbal attacks on just about everyone with whom she comes in contact, both friend and foe. Throughout the novel, she constantly wallows in egotistical interior monologues, for example: "The show was flawless, of course. I'd long ago ceased to doubt myself or my abilities." (p. 181) She holds herself above the other hard-working dancers, skipping rehearsals regularly because, as she brags to the choreographer, "I'm always perfect." She is so self-absorbed that she never even notices that a few daimon dancing girls from the Paradis have disappeared. She also seems to have forgotten that her best friend, Cherie, is being held by the slavers. Even though Demi is responsible for Cherie's current captivity, Vale—not Demi—does most of the investigative work. Demi is so annoyingly smug and vain that I found myself actually enjoying her discomfiture when several people took her down a notch or two. Click HERE to read an excerpt.